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Third volume of the Suzuki method for cello. Suzuki based her approach on the hypothesis that musical ability is not an innate talent, but a skill that, just as all children develop the ability to speak in their mother tongue, can be trained. The child's potential can be developed.
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| Berceuse, Wiegenlied or Lullaby, Op. 98, No. 2 | F. Schubert |
| Tonalization: The Moon over the Ruined Castle | R. Taki |
| Gavotte | J. B. Lully |
| Minuet from Sei Quintetti for Archi No. 11, Op. 11, No. 5 in E Major | L. Boccherini |
| Tonalization: The Moon over the Ruined Castle | R. Taki |
| Scherzo | C. Webster |
| Minuet in G, Wo0 10, No. 7 for Piano | L. van Beethoven |
| Gavotte in C Minor, Gavotte en Rondeau from Suite in G Minor for Klavier, BWV 822 | J. S. Bach |
| Minuet No. 3, BWV, Anh. II 114/Anh. III 183/Anh. II, 115 | J. S. Bach |
| Humoresque, Op. 101, No. 7 for Piano | A. Dvorák |
| La Cinquantaine | Gabriel-Marie |
| Allegro Moderato from Sonata I in G, BWV 1027 for Viola da Gamba | J. S. Bach |
Immediate availability
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